![]() The letterform of Stymie Extra Bold’s lower-case “t” is highly geometrical, whereas Rockwell’s Extra Bold has a rounded letterform. The New York Times uses a similar typeface, Stymie Extra Bold, for the headlines and some other typographical uses in its Sunday magazine. It is also used by the poetry publisher Tall Lighthouse for all their books, as well as on their website. ![]() ![]() Docklands Light Railway also used a bold weight of this typeface in the late 1980s and early ‘90s. Informational signage at Expo 86 made extensive use of the Rockwell typeface. The Guinness World Records used Rockwell in some of their early-1990s editions. The 1933 design for Monotype was supervised by Frank Hinman Pierpont. Rockwell is based on an earlier, more condensed slab serif design called Litho Antique. The lowercase a is two-story, somewhat incongruous for a geometrically drawn typeface.īecause of its monoweighted stroke, Rockwell is used primarily for display rather than lengthy bodies of text. A serif at the apex of uppercase A is distinct. Rockwell is geometric, its upper- and lowercase O more of a circle than an ellipse. Slab serifs are similar in form and in typographic voice to realist sans-serifs like Akzidenz Grotesk or Franklin Gothic. The project was supervised by Frank Hinman Pierpont. The typeface was designed at the Monotype foundry’s in-house design studio in 1934. Matrices are still produced in 2020 for the remaining Monotype customers around the world.Font of the Day: Rockwell is a serif typeface belonging to the classification slab serif, or Egyptian, where the serifs are unbracketed and similar in weight to the horizontal strokes of the letters. The Monotype Collection, comprising of all the materials and machinery necessary to produce composition matrices, was moved and installed at The Type Archive in 1995. It included historical revivals such as Plantin, traditional typefounders’ designs such as Goudy Old Style, and original Monotype designs such as Albertus. Composition matrices were made from a remarkable collection of typefaces there between 19. Patterns, punches and matrices were very valuable to the company and were kept in strong rooms at the Monotype factory in Surrey. The punch was stamped into a piece of phosphor bronze that made a matrix from which type could be cast. However, in the case of Caslon Series 128, there were sets of patterns made for each individual size. If a metal typeface was produced in five sizes, for example, there were not necessarily new patterns made for each size. The pattern was used as a guide when cutting punches on a punch-cutting machine. They used to be made in two sizes: ¼ size of the drawing for type sizes up to 24pt, and 3/8 size of the drawing for type sizes over 24pt. It bears lines denoting clearance and sidewalls, also figures denoting series and size of type. It is about 3" square and ¼" thick, having a character raised 1/16" on its face. Patterns and punches were the artefacts that Monotype created and preserved during the process in order to be able to make matrices on demand for their customers.Ī Monotype pattern is a copper-faced plate bearing, in relief, the shape of a right-reading character or symbol. Eighty-two successive operations, including inspections through microscopes, were required to produce every perfect Monotype composition matrix. The user of a Monotype machine could cast as much fresh type as they needed from a set of matrices. Manufactured by Monotype Corporation.Īs well as manufacturing machines that composed and cast type, The Monotype Corporation produced matrices for hundreds of different designs of typefaces in metal. Pattern for Rockwell Bold (Typeface Series number: 391).
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